Coming of age in London during the 2000s, I was constantly immersed in a world of suits. They adorned businessmen hurrying through the Square Mile. They were worn by dads in the city's great park, playing with footballs in the golden light. Even school, a cheap grey suit was our required uniform. Historically, the suit has served as a costume of gravitas, signaling power and professionalism—traits I was expected to aspire to to become a "man". Yet, until lately, people my age seemed to wear them infrequently, and they had largely disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony wearing a sober black overcoat, pristine white shirt, and a distinctive silk tie. Propelled by an ingenious campaign, he captivated the public's imagination unlike any recent mayoral candidate. Yet whether he was celebrating in a music venue or attending a film premiere, one thing remained largely constant: he was almost always in a suit. Loosely tailored, modern with unstructured lines, yet traditional, his is a typically middle-class millennial suit—that is, as typical as it can be for a cohort that seldom chooses to wear one.
"This garment is in this weird position," says style commentator Derek Guy. "It's been dying a slow death since the end of the second world war," with the significant drop coming in the 1990s alongside "the rise of business casual."
"Today it is only worn in the strictest settings: marriages, funerals, and sometimes, legal proceedings," Guy explains. "It's sort of like the kimono in Japan," in that it "essentially represents a tradition that has long ceded from everyday use." Many politicians "don this attire to say: 'I am a politician, you can have faith in me. You should support me. I have authority.'" Although the suit has historically signaled this, today it enacts authority in the hope of gaining public trust. As Guy elaborates: "Because we are also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of performance, in that it enacts masculinity, authority and even proximity to power.
Guy's words stayed with me. On the rare occasions I require a suit—for a wedding or black-tie event—I retrieve the one I bought from a Japanese retailer a few years ago. When I first picked it up, it made me feel sophisticated and expensive, but its tailored fit now feels passé. I suspect this feeling will be all too recognizable for many of us in the global community whose families originate in other places, especially global south countries.
It's no surprise, the everyday suit has fallen out of fashion. Like a pair of jeans, a suit's silhouette goes through cycles; a particular cut can therefore characterize an era—and feel quickly outdated. Consider the present: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. Yet the appeal, at least in certain circles, endures: in the past year, department stores report tailoring sales rising more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something special."
The mayor's go-to suit is from a contemporary brand, a European label that retails in a moderate price bracket. "Mamdani is very much a reflection of his background," says Guy. "In his thirties, he's neither poor nor exceptionally wealthy." Therefore, his moderately-priced suit will appeal to the demographic most inclined to support him: people in their thirties and forties, university-educated earning middle-class incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably align with his stated policies—such as a capping rents, building affordable homes, and free public buses.
"It's impossible to imagine Donald Trump wearing Suitsupply; he's a Brioni person," observes Guy. "He's extremely wealthy and was raised in that New York real-estate world. A power suit fits naturally with that elite, just as attainable brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is long and storied: from a well-known leader's "shocking" beige attire to other world leaders and their notably polished, custom-fit sheen. Like a certain British politician discovered, the suit doesn't just clothe the politician; it has the power to define them.
Maybe the key is what one scholar refers to the "enactment of ordinariness", invoking the suit's historical role as a uniform of political power. Mamdani's particular choice taps into a studied modesty, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. However, some think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't apolitical; historians have long pointed out that its contemporary origins lie in military or colonial administration." It is also seen as a form of protective armor: "It is argued that if you're from a minority background, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of signaling legitimacy, particularly to those who might doubt it.
This kind of sartorial "code-switching" is not a recent phenomenon. Even iconic figures previously wore three-piece suits during their early years. These days, certain world leaders have started exchanging their typical fatigues for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between belonging and otherness is apparent."
The suit Mamdani selects is highly symbolic. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under pressure to meet what many American voters expect as a sign of leadership," says one expert, while simultaneously needing to navigate carefully by "not looking like an elitist betraying his distinctive roots and values."
Yet there is an sharp awareness of the double standards applied to who wears suits and what is interpreted from it. "That may come in part from Mamdani being a millennial, able to adopt different identities to fit the occasion, but it may also be part of his diverse background, where code-switching between cultures, customs and clothing styles is typical," commentators note. "White males can remain unnoticed," but when others "seek to gain the power that suits represent," they must carefully negotiate the expectations associated with them.
In every seam of Mamdani's public persona, the dynamic between belonging and displacement, inclusion and exclusion, is visible. I know well the discomfort of trying to fit into something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, appearance is not without meaning.
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